Canadian Comedy Awards: 2013 Edition

OK – I just finished my last thing interfering with Conservatory this past weekend, so all posts until December, and then maybe a little bit in January, should be about this final process of the Second City Conservatory program.  We’re getting down to crunch time, and our scenes are coming together, I think,  and I want to work on my scenes and write about the whole process and let you know how cool it is… but I can’t yet… because I have to talk about this minor interruption.

The 2013 Canadian Comedy Awards Festival

If you’re a connection of mine on LinkedIn, and you should be, you’ll note that this year, I was asked to help out with the Canadian Comedy Awards Festival in Communications; predominantly social media.  So, I signed up for HootSuite and off I went.  I took on a number of different duties since my initial on-boarding, such as translation, submission vetting, and most recently; taxi service.  Ironically, I did very little social media work while I was in Ottawa for the festival this past weekend – most of the time was spent running around trying to meet various arrival/departure timings of guests and nominees and coordinate other people doing any number of the numerous tasks that needed to be done to, you know, make the festival happen.  I wish there was a way to simply describe to you how the weekend turned out from the perspective of a volunteer – well, not just a volunteer, but a coordinator of volunteers amongst other things.  The best I can come up with is “AAARHG!?!!!!$^@GOGOGOGOGOGOGO!!!!!!!!!!!!!”  Yeah. I think that sums it up nicely.

Though the organization of the festival was the butt of many of Awards host Ryan Belleville’s jokes at the award ceremony, I was very pleased to hear how appreciative many of the attendees were of the organizers and volunteers who worked really really really really really really really REALLY hard to make the CCAF happen.  (Did I mention it was hard work?)

And beyond the simple happening of the festival, it was really cool that this year seems to have sparked a deeper level of conversation about the very nature of Canadian Comedy.  Example, Naomi Sniekus & Lauren Ash’s speeches at the Awards ceremony and Steve Patterson’s HuffPo piece:

It’s Time to Take Canadian Comedy More Seriously

This was my 4th year volunteering with the Canadian Comedy Awards.  I volunteer because I think our comedic talent should be celebrated.  And I think we owe it to each other to support each other and the institutions that help us keep doing what we do.  That’s why I help out – I’ve met some great people in the community through this festival – people I hope to work with down the line, people who’ve become close confidants within the industry, and people who are just, plain and simple, awesome and hilarious.

I may still be quite green to this world (yup, 3 years is still green, Mom & Dad)  (Oh, green is industry talk for “new”)  (See, I am learning stuff) – but if there’s one thing the Canadian Comedy Award makes me want to do than anything else, it’s create comedy and be a part of this great pool of hilarious and talented people who makes the country laugh, make our great cities laugh, and hell just make each other laugh after working over 12 hours driving people to-and-from the Ottawa suburbs in an overcrowded van.

But the Festival is over – no more interruptions, I’m going to work on this Con show to make it blow your minds and bust your guts!  I’ve got some COMEDY to birth, Canada!

Two Years of Confessions

Two Years of fun. Pessimistic, passive aggressive fun.

Happy 2nd Birthday, Clown College Confessions!

There are two things I would have liked to have ready to post on this, the second anniversary of my little blog:

  • The First:  to have had enough money to finally convert it to its own domain name and;
  • The Second:  to have been able to post photos from Fresh Meat and talked about the upcoming Cream of Comedy show.

But as it turns out, I’m still broke and I didn’t make it onto Cream of Comedy


…this adorable teddy bear will have to suffice, OK?   ALRIGHT?!?!?!  What’s wrong?  A cute teddy bear NOT GOOD ENOUGH FOR YA?  Well we’ll see about THAT!!!!

Somebody get me some chocolate cake.


The author of Clown College Confessions is experiencing some technical (see: psychological) difficulties.  Please try again later.

LaughDraft vs. Ron James: A Comparative Analysis

It has been a busy week.  Most of the week was spent rehearsing and memorizing lines, leading up to LaughDraft‘s first live performance since our Launch Show back in June.  All this, while trying to keep up with school work!  You’ll be pleased to know that the show went very well!

The next day, I’d been offered a chance to check out a taping of the Ron James Show at the CBC building by my Sketch and Improv teacher, Robin Duke.  I figured, though he’s not necessarily a comedian targeting my demographic, what the hell!  Why not?  It’ll be cool to see a live taping of a comedy TV show and I’ve never been to the studios at CBC, so shooo, let’s go for it.

As such, this blog entry will analyse certain of the differences between these two shows; the LaughDraft SEASON OPENER and the taping of two of the episodes in Ron James’ 3rd season with his own show on the CBC.



The Venue

Have you ever been to the CBC building?  That place is COOL!  We were up on the 10th floor in a studio not unlike those I visited during my tour of NBC Studios in New York.  The sound was crisp, the equipment was pro.  The set was very cool.  The air flow was very comfortable.  The seats were nice.  They had to bring more in to accommodate everyone who had come to the show that evening.

The Kapisanan Philippine Centre for Arts & Culture’s performance space is in a basement.  The sound was muffled by a perpetual talk-radio background for some unknown reason, the mics, not strong enough.  Some of the actors could not be heard at the back of the room.  The equipment had just been installed that day.  The lights, put up by our “crew” aka Joey, who had the day off.  The air flow was, wait… what air flow?  It was hot and humid as sweaty balls in there.  The seats were from IKEA.  If anyone else had come, they would have had to stand.  The pipes were dripping on spectators and performers alike.

Advantage Ron James.

The Crowds

Upon arriving to the CBC building, there were many security guards who directed us to where we needed to go to pick up our tickets.  Then we stood in a massive line in the CBC building’s main atrium? (Is it an atrium?) and waited for ushers (not-uniformed, I should specify) to bring us up the fancy scenic elevator, down the hall and to the left and finally to our seats in the studio.  The joint was packed.  Average age was probably 50ish.  Get ready for jokes about people who don’t know how to  use Twitter everybody!!  Consistent laughter, even when RJ had to repeat the joke over and over again to get it right for TV.  Which is weird.  Imagine going to a stand-up show and hearing the comic tell the joke, and then come back at the end of the set and say: “OK, apparently I messed this one up or you guys didn’t laugh hard enough, so here we go again!”  Stand-up would be an easier business if that were the case, methinks.

People drizzled into our show.  There was no gigantic line-up.  The outside was poorly lit, so I’m surprised people were able to find us in the first place (Thank you Paige and Ron for drawing the crowds in!) They’re just as good as ushers, and better looking at that!  AND, they actually looked happy to be here! BUT people could go right in when they arrived.  None of this standing around and herding people like sheep business.  No, not for us.  Although there was a bit of a cram as many of them in as possible like those evil chicken farms where they all poop on one another and get sick and stuff. Our venue had a nice amount of people in it, not completely packed, but just about.  Average age, probably 22?  (A much younger crowd than our Launch Show, which was interesting – Thank you first years!) Good laughter!  Absolutely no chance for telling the same joke over again.  If we fucked up or missed a line, we just kept going because we don’t have the luxury of an editing room.  This is LIVE people! People actually got excited for our stuff though, it didn’t seem so generic, laugh here, clap here. I think there was a bit more surprise to our show.  Not that stand-up monologues and sketches really compare in the kinds of laughter you get out of them, but still, ours felt good.

The Show

It was really cool to see a live taping of a television show and it was super cool that Ron James made a plea to get people to go check out live comedy.  I guess he feels like he owes it to his brethren.  He knows what it’s like to be working the circuit.  He’s made it, it’s easy for him now.  He has a team of writers, make-up, wardrobe, professional everything, GOVERNMENT FUNDING!

US?  We had fun.  We have the satisfaction of having put something together, worked our butts off at it, and performed.  No network censors.  No elaborate spending.  Just pure, raw comedy!!!  We’re just getting started.  We’re at the opposite end of the career-spectrum as RJ, and it’s an exciting place to be.

Advantage LaughDraft.