In the Air Last Night

Yesterday was a great day. And I’m not just talking about:

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But it certainly did help.

There was already so much excitement in the air because of the Blue Jays that it filled the city’s air with something vaguely magiacal.

I was a little bummed out because I wasn’t going to catch most of the game because I had a dentist appointment, but the dental hygienist had Yahoo! Sports tracking the score throughout my appointment and frequent radio hits between pop hits kept me updated regularly.

After the appointment, I met with a friend. We’d scheduled to meet to discuss an upcoming project that will certainly be very fun and for a great cause. We sat at a bakery on Bloor, where sure enough, the game was on. And, despite my pal’s obvious lack of interest in baseball, she was kind enough not to shit on me the couple times my eyes drifted to the screen. The meeting wrapped shortly after the bizarre incident with Martin’s attempt to return the ball to the pitcher’s mound, and the debate over the call frustrated me. I decided to leave the bakery and not watch the rest of the game, because if the Rangers were going to win on such a stupid call, then fuck them. That’d just be a crap way to go.

Except that how could I not watch the rest of the game? I walked by Comedy Bar where I knew people would be tuned in. I caught all of the 7th inning madness before I had to head out for a show.

I took the subway over to the Social Capital theatre, where I managed to catch the last inning of the game and the Blue Jays’ ultimate victory! WOoooooooooohoooooooooooooo! And what better way to celebrate, than to perform a super duper fun set at Improv League Toronto (that had nothing to do with baseball). What a cool show. You get to watch some awesome up-and-coming longform troupes doing their best, fun thang and you get to do the same. It’s friendly competition, and ultimately, I don’t know what happens at the end of the league, but what I do know is that we’ve had some fun sets so far in the league. At least, the ones I’ve been able to attend anyway. (I was in Halifax and I missed a couple.) I really love performing with this troupe. There’s something super fun about incorporating this particular era into our improv. And next week we get to do nearly a half hour set for BCIF! It’s going to be SO FUN!

After the set, I ran BACK over to Comedy Bar for another longform show I’d been asked to guest called Personal Space Invaders. What a fun show. Again, watching up-and-coming troupes find their stride. A bunch of different levels of experience and expertise, and I had the pleasure of performing a set with some dudes I’ve rarely (if ever) played with, and it was a LOT of fun!

Mmm. Improv AND baseball.

Maybe there was a light-heartedness to the air on account of the fact I was so stressed during the game, but I felt good about my performances, and I just enjoyed them so much. I understand that’s an important part of the process, but I felt it so much yesterday and was so grateful about it.

I could barely sleep last night I was so dang excited about the past day. Every once in a while you need one of those. Even if you feel like a rotten sack of shit waking up the next morning.

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Do one thing every day that you really really hate, but you know you have to do because it will make you a better performer

Earlier this week I tried something I hate.

A character monologue.

I’m always fascinated by some comedians I know who seem to come up with this plethora of weird and wonderful characters, for which they’ve created this fun universe and they bring them up on stage and speak to the audience in that character for upwards of ten minutes, and people love it. They tell jokes in character. They have funny accents. They dress up.

I just hate it so much.

Not when other people do it. I just hate doing it, myself. It if were to serve a sketch, in which there were several people, no problem. I’ll play a weird and wacky character. But on my own, just speaking directly to the audience? No thank you. Well, that is, outside of comedy school and this past Tuesday’s “Bombaes.”

I wrote and performed a character monologue inspired by something Kate Mulgrew said while promoting her book last month (was it last month?) at the Toronto Reference Library. It seemed to get very little response while I was speaking it, which is bizarre. As a stand-up comic, you’re used to getting a laugh at certain points in your set. But either it wasn’t funny, or it was just not good, I felt like I got nothing back from the audience, apart from polite applause when I was finished my bit.

Stand-up, fine. You’re telling jokes, and the audience responds in such a way as to let you know whether or not your jokes are hitting or missing. Improv, GREAT! No problem making people laugh there. But this? GAH. This is PAINFUL.

PAINFUL! AND DIFFICULT!  AND SCARY!

That being said. If anyone has a solo-sketch/monologue night in Toronto, I’m totally ready for you to meet this gal. She’s a real something else.

 

Why It’s Cool I didn’t Play with Colin Mochrie

I went to Wheel of Improv tonight. It was Wheel’s 6th birthday and Colin Mochrie and Rob Norman were Boomer’s guests.

I wanted to play with Colin because he’s famous. I mean it’s Colin Mochrie for Pete’s sake!

Here’s why playing with Rob was better. Firstly, he’s younger and better looking. (Sorry Colin.)

But for realsies, I feel like when you’re in a scene with Rob Norman, he’s constantly teaching you things while he plays with you. Tonight, I played a character with a real competitive edge, all full of conflict and the likes; Rob’s character was docile; a why-can’t-we-all-get-along? type, which to me was a clear message: why the conflict?! It doesn’t have to be a competition! There do not need to be winners or losers. I don’t always have to be loud-mouthed, high-status bullies.

Maybe this is proof that I was too in my head in the scene tonight. Even if it isn’t, I am taking a mental note to be less antagonistic in my character choices. (Even though I got a pretty big laugh by calling Rob a motherfucker.)

Ah well…Happy Birthday Wheel! Thanks Boomer, for everything you do.

Photo stolen from Wheel of Improv's Twitter.

Photo stolen from Wheel of Improv’s Twitter.

Guess Who’s Gonna Be Eating Bacon?

This message was posted on the Guess Who’s Coming to Improv? Facebook page today.  It is heartwarming and amazing:

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This message is a greater gift than any host could hope for.  And yet, tonight, Rachel came back to the show and gifted me with two hilarious scenes as well as the following:

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I didn’t really know what to expect when I started hosting #GWCI. I wanted to play more, I wanted others to have the opportunity to play more, and I wanted people from all levels of the learning spectrum to mingle and create magic together.

I certainly never in the process ever expected BACON!

These are life’s wonderful little gifts.

Thank you Rachel!

Naomi Snieckus & Alastair Forbes To Perform at next GWCI?

I’m so stoked to announce that this Saturday’s show features none other than Second City Main Stage alumni: Naomi Snieckus and Alastair Forbes. And if YOU attend, YOU might get to play with them!

Get to know more about these two phenomenal improvisers/people and read on:

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Naomi Snieckus is an actor, writer, improviser, voice over artist, and director. She studied at University of Waterloo and then Ryerson Theatre School before moving to Vancouver for five years. An alumnus of the world renowned Second City in Toronto she wrote and performed in 5 shows and met her funny man Matt Baram. She is a founding member (along with Matt Baram) of five time Canadian Comedy Award winning The National Theatre of the World and performs and produces: Impromptu Splendor, The Carnegie Hall Show and The Script Tease Project. The National Theatre of The World is a company in residence at The Young Centre For The Performing Arts in Toronto. They have traveled internationally to Berlin, Israel, Amsterdam, England, New York, South Carolina, Chicago, Los Angeles as well as throughout Canada. Naomi won the Canadian Comedy Award for best female improviser in 2010, as well as best female in a TV Series (Mr.D) and was nominated for an Actra Award in 2013 for her work in Mr.D.

STAGELA_STAGEComedypx468Alastair Forbes is a Second City Mainstage Alumni, Dora Award nominee and two-time nominee for the Canadian Comedy Awards Best Male Improvisor. You may have seen him on your TV (Insecurity and The Ron James Show, CBC; The Bridge, CTV;Breakout Kings, A&E; That’s so Weird, YTV) on your big screen (My Ex Ex) on your stage near you (Theatre by the Bay, Thousand Islands Playhouse, Centaur) or have seen his voice on your radio (Go!, CBC Radio One). He has written for YTV’s That’s So Weird and is a story editor on a CTV development project Matt and Jeff. Oh, and yes, he’s probably that guy from that commercial you saw. You can catch him almost every week performing at the Comedy Bar or with his critically acclaimed improv troupe Bonspiel!

For more information, check out:  https://www.facebook.com/events/1510937449152943/?fref=ts

HOW TO AVOID BEING ASKED FOR WEDDING ADVICE @SheDoesTheCity

It was a big day for Canadian women yesterday.  We took home the Gold in Hockey and Curling, and on the home front, this Canadian gal had her own personal little victory.

I’m talking about my first article published in She Does the City, a most excellent website geared towards all things women.  It’s a wonderful site with all sorts of great resources concerning events going on in town as well, so check it out, and have a laugh.

SheDoesTheCity