Do one thing every day that you really really hate, but you know you have to do because it will make you a better performer

Earlier this week I tried something I hate.

A character monologue.

I’m always fascinated by some comedians I know who seem to come up with this plethora of weird and wonderful characters, for which they’ve created this fun universe and they bring them up on stage and speak to the audience in that character for upwards of ten minutes, and people love it. They tell jokes in character. They have funny accents. They dress up.

I just hate it so much.

Not when other people do it. I just hate doing it, myself. It if were to serve a sketch, in which there were several people, no problem. I’ll play a weird and wacky character. But on my own, just speaking directly to the audience? No thank you. Well, that is, outside of comedy school and this past Tuesday’s “Bombaes.”

I wrote and performed a character monologue inspired by something Kate Mulgrew said while promoting her book last month (was it last month?) at the Toronto Reference Library. It seemed to get very little response while I was speaking it, which is bizarre. As a stand-up comic, you’re used to getting a laugh at certain points in your set. But either it wasn’t funny, or it was just not good, I felt like I got nothing back from the audience, apart from polite applause when I was finished my bit.

Stand-up, fine. You’re telling jokes, and the audience responds in such a way as to let you know whether or not your jokes are hitting or missing. Improv, GREAT! No problem making people laugh there. But this? GAH. This is PAINFUL.

PAINFUL! AND DIFFICULT!  AND SCARY!

That being said. If anyone has a solo-sketch/monologue night in Toronto, I’m totally ready for you to meet this gal. She’s a real something else.

 

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Why It’s Cool I didn’t Play with Colin Mochrie

I went to Wheel of Improv tonight. It was Wheel’s 6th birthday and Colin Mochrie and Rob Norman were Boomer’s guests.

I wanted to play with Colin because he’s famous. I mean it’s Colin Mochrie for Pete’s sake!

Here’s why playing with Rob was better. Firstly, he’s younger and better looking. (Sorry Colin.)

But for realsies, I feel like when you’re in a scene with Rob Norman, he’s constantly teaching you things while he plays with you. Tonight, I played a character with a real competitive edge, all full of conflict and the likes; Rob’s character was docile; a why-can’t-we-all-get-along? type, which to me was a clear message: why the conflict?! It doesn’t have to be a competition! There do not need to be winners or losers. I don’t always have to be loud-mouthed, high-status bullies.

Maybe this is proof that I was too in my head in the scene tonight. Even if it isn’t, I am taking a mental note to be less antagonistic in my character choices. (Even though I got a pretty big laugh by calling Rob a motherfucker.)

Ah well…Happy Birthday Wheel! Thanks Boomer, for everything you do.

Photo stolen from Wheel of Improv's Twitter.

Photo stolen from Wheel of Improv’s Twitter.