It takes a village

Last night, my Niagara-based improv ensemble premiered our competitive-style “Improv Fallout” show for a standing-room-only house in downtown St. Catharines. It was, to be brief, incredible.

Mainly, I wanted to point out what else went behind the production, because it was one of the first times in my career as a comedy producer that I had a team of individuals around me, supporting a project so enthusiastically that ALL these things happened:

  • First of all, they actually invited people to come friggin’ see them perform, so we packed the house ’til it was, as mentioned standing-room-only.
  • When given the rehearsal schedule, some performers requested additional rehearsal time to ensure their performance would be up to snuff.
  • They showed up for rehearsal like, AN HOUR before their call to help set up without being asked.
  • They created an art wall for the show JUST FOR FUN.

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  • One of the performer’s partners agreed to work the Box Office.
  • One of the performer’s partners took really great photos during the show.
  • A performer who WASN’T EVEN ON THE SHOW agreed to collect email addresses so we could continue to spread the word about our group and ran back and forth to help make sure the show ran smoothly again, without being asked.
  • One of the performers fearlessly approached people asking for suggestions before the show started.
  • One of the performers hand-crafted voting circles with one colour on one side, and the other on the other side, which was challenging she admitted, but worth it because they looked so good!
  • Some of our performers took to social media before, during and after the show to share the experience with others.
  • Some of our performers learned how to use social media for the show.
  • One of the performers went to Fabricland for the first time in her life to actually buy fabric to be used to discern the different teams on stage.
  • Our tech created a special playlist for the show to get the audience feelin’ funky.
  • One of the performers risked his neck to drape the curtains in such a way as to make the space look a bit more ascetically pleasing.
  • One of the performers drove a long long way to come to the show even though she’d worked all day and had to go right back immediately after the performance.
  • One of the performers refused payment until it was physically forced onto him. (That’s right, the performers were paid.)
  • All of the performers were super supportive of one another on stage as well as off stage and, even after being “voted off” the show stayed intensely engaged with participating in the show with members of the audience and online.
  • I’m probably forgetting a million more things…

 

It’s INCREDIBLE to know that this wonderful collaboration is what it can feel like to create live comedy.

My Creative Metadata

Again, reading along with Ben Noble’s weekly newsletter, he brought up the concept of Creative Metadata. Quick, read that article. Go on. I’ll be here.

OK good, you came back.

I thought it’d be cool from time to time to talk a bit about the creative metadata I produce as a producer of comedy shows (and an improv teacher / writer / podcaster / comedy performer/ etc.)

For example, here’s some metadata for today. Enjoy!

I bought a chalk-board to keep score for next week’s Improv Fallout show at Michael’s. It was not an essential purchase, but I thought it’d be fun / cute.

Updated bujo & trello boards. Doesn’t seem like English, but it helps keep me on my game.

I wrote up the structure for the games and the order of the games we’ll be playing at next weekend’s show. This is first show of Improv Niagara’s 2nd year in existence. In rehearsal, I had most of the cast try out the structure of the games. It’ll work better with an audience. Right now it feels less flowy than our regular rehearsals, but I think it’ll be a really great show. Slight hiccup with a thing I don’t want to go into too much detail about, but hiccup was had and water was consumed (this is a metaphor.) I switched up one of the games last minute because I realized it’d be more fun than the original one I’d written down. Nobody shines in Movie in a Minute. It’s just mass chaos.

Before rehearsal, I began editing a new podcast my brother and I recorded a few weeks ago. It’s a long one, but an interesting one. Tried to make sure to post a new quote from our last guest’s episode and to make the design interesting enough that people will be drawn to it. Update at the end of the day = no tweet likes. Stupid Twitter.

Realizing being home in Niagara is giving me tonnes of stand-up material I should be writing down. Operative note, should. This is why I stopped doing stand-up. Improv requires less pockets for tiny joke books. 

The official *data* of this will be an awesome improv show next Saturday and a great new edition of The Constant Struggle Podcast and MAYBE a new stand-up routine in the near future? <— (and normally that’s all people get to see, none of this nifty behind-the-scenes metadata.)

Oh yeah. I forgot to mention one last important piece of metadata:

ALL TIME on the crapper is spent promoting shows and liking posts on social media.

ALL TIME.

New Episode of The Constant Struggle Featuring The Dandies’ Dale Wells

Our latest episode of The Constant Struggle podcast is up and this time, we had the pleasure of interviewing Dale Wells, improviser and co-founder of The Dandies & Holodeck Follies.

http://theconstantstruggle.podbean.com/e/e12-follow-your-passion-with-dale-wells/

close-shave-2013-dale-wells-c-neil-muscott

Dale speaks about the benefits and challenges producing live comedy shows in Toronto. We talk about the history of Star Trek improv in the city, about geek culture, and about his show; Holodeck Follies, kicking butt at this year’s FanExpo. Dale and Nick chat about what it’s like to be a Dad artist with a day job. We bring up his love of singing and the various ways in which improv can bring joy to your life.

What a positive guy!

***
With GREAT shout-outs to:
ANDIE WELLS
NATASHA BOOMER
ROB ARISS HILLS
THE 404s
GARY PEARSON
MARK LITTLE
KEN HALL
ALAN LEIGHTIZER
TODD VAN ALLEN (COMEDY ABOVE THE PUB)
GILLIAN ENGLISH &
TODD GRAHAM
***
 Be sure to follow The Dandies on Twitter @TorontoDandies & catch the next edition of #HolodeckFollies at Geek Hard Live!
#StruggleOn everybody!

Chicken Pod! (The Constant Struggle’s Newest Ep!)

Episode 6 of my brother and my podcast, The Constant Struggle, is up & we’d love it if you’d giver a listen.

This time around, Nick’s got a new writing deadline he wants to get to before he takes off to Scotland with his family. Will the trip inspire him to write something while he’s over there? We’ll see!

Will Brie survive her month of insane-work hours and continue to work on her comedy all throughout, or will she have a complete mental breakdown along the way?

Find out, by downloading the episode on iTunes or checking it out right here:

http://www.podbean.com/media/player/audio/postId/5711034?url=http%3A%2F%2FTheConstantStruggle.podbean.com%2Fe%2Fe06-chicken-pod%2F

Oh, and if you want to sign that petition to help get Kevin Smith Canadian citizenship, click here:

https://www.change.org/p/government-of-canada-grant-kevin-smith-a-canadian-citizenship?recruiter=309221733&utm_source=share_petition&utm_medium=twitter&utm_campaign=share_twitter_responsive

Struggle On, friends!

A L’il Rasgal Drops By TCS

Our newest episode of The Constant Struggle podcast is up, and for the first time, we’ve decided to feature a guest on the show. We invited Susannah Kiernan, member of the hilarious duo “L’il Rasgals” to come on by and talk to us a bit about the various challenges she’s had to face in the noble pursuit of her art.

http://www.podbean.com/media/player/93qcz-56b618?from=wp

You can also find the episode on iTunes by searching “The Constant Struggle”

Give it a listen. It’s a great episode & Susannah is a wonderful guest. While you’re at it, follow her on Twitter at @SusannahKiernan and follow us at @StrugglePod.

the constant struggle - banner

 

Struggle on!

 

 

 

The Constant Struggle, Episode 3

If you’ve browsed elsewhere on this website apart from the front page, (or the article about the WWI brothel, which continues to get more hits than any other post,) you’ll know that my brother Nick and I have been working on a podcast over the past few weeks that deals with the ongoing struggles creative types face on their journey to accomplish their artistic goals.

This month’s episode is no exception as we delve further into overcoming rejection, navigating networking events and just getting it done!

Check it out:

http://www.podbean.com/media/player/8rght-5622a1?from=wp

If you like it, and you’re interested in sharing your creative struggles with us on an upcoming episode, feel free to write to us at constantstrugglepod@gmail.com.


 

*** *Note: the books we referred to during this episode are:

Save the Cat!: The Last Book on Screenwriting You’ll Ever Need, by Blake Snyder

Elephant Bucks: An insider’s Guide to Writing TV Sitcoms, by Sheldon Bull

The Nerdist Way: How to Reach the Next Level (In Real Life), by Chris Hardwick

Windy Inspiration (This is not a post about farts)

It’s still cold, it’s still shitty out, but guess what? I went to Chicago.

That’s right, the Second City itself. I’m a little late to the draw at writing about this, but that’s because I had to spend a bunch of time putting together this cool collage:

Chicacollage

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mmm. Collagy-goodness.

I’m not going to sit here and tell you all about the trip in super-extensive detail or anything, as this isn’t a travel blog, let’s be CLEAR about that! But what I will do, is tell you that if you think there’s somewhere in the world that will inspire you, you should visit it, even in the dead middle of February where it’s equally, if not more cold, than your own crap-cold igloo of a town, because it probably will.

Inspire you, that is.

My buddy Sharilyn had mentioned she would be heading to Chicago in February to take a Second City intensive & I happened to be “dark” the week she was planning to go. (That’s TV talk for “the stars of my show had to go to a tropical place and work on their tans,” so we had to stop shooting for a week.)

Nevertheless, bit by bit, the plan came together and sure enough, we ended up in the Windy City, catching a different comedy show every single night we were there. (And bits and pieces of the SNL40 Special, which in hindsight, we should have just watched in its entirety.)

When I was asked at customs what I was doing in Chicago, and I answered “watching a whole wack-load of comedy,” it was a completely plausible answer. I feel like there aren’t many places in the world where you can tell a customs officer that, and not be thrown into some strange questioning cell.

Despite a bout of food-poisoning, the trip was a dream. An frozen, shivering, ice-cube of a dream, but a dream nonetheless. I imagine myself one day, holding a magical green card, actively avoiding some of the dodgier modes of transportation in the city when it gets dark, and performing every night on the various stages that launched the careers of so many of my heroes.

I wasn’t sad when I came back to Toronto. Because it just so happens that a bunch of my heroes started out right here too.

So now it’s back to work, a little more inspired.

Nervous Meat

It’s been a crazy week. (+ a few days.)

I volunteered for the Canadian Comedy Awards again this year, which was great!  (With the exception of the biggest joke of the night: $13 + tip glass of wine.)  I worked in the box office throughout the end of last week to sell tickets for shows put on by nominees in the various categories.

(If you’re curious, you can see the results of the CCAs right HERE.)

Then, I worked backstage for the actual Awards ceremony, where I had the pleasure of un-blazer-ing Alan Thicke of TV fame, holding stuff for Gavin Crawford, also of TV fame – and basically running about rounding up presenters for the rest of the evening.

The after-party was a lot of fun as well – every year I know a few more people at the CCAs & feel more welcomed as part of the community.

Which leads me to Fresh Meat.  I am so nervous about Fresh Meat.  I’m freaking out over Fresh Meat.  People are telling me to relax and that I’ll do fine, but I am freaking out over Fresh Meat.

(If you’re like: “WTF is Fresh Meat?” Click HERE)

I’ve been working so much this summer in the evenings, and whenever I’m NOT working, I was trying to find jobs, or trying to network, or updating a resume, or writing, or doing ANYTHING to improve my financial situation (which was, until very recently, at risk of requiring me to move back to Welland…) that I haven’t been able to go out and perform as much as I would like.

In fact, tonight, at Comedy @51, I performed the set I wanted to do for next week’s Fresh Meat and it sortof flopped.  I’ve run over in my mind a bunch of reasons why it didn’t go well, and I’m glad I still have a few more nights this week to rehearse it, but only at the beginning of the week, because guess what – Thurs, Fri, Sat, Sun evenings, I’ll be cleaning tables and pushing drinks at work (ie. NOT rehearsing.)

IIIIIIIIIIIII’m SCAAAAAAAAAAAAAAAAARED!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!

There is some hope though, at least financially.  Last Wednesday night, I was surfing craigslist looking for work (as one does when one becomes desperate) and I applied for a few.  Thursday morning, whilst at Canadian Tire getting an oil change, I got a phone call asking if I was free to come in for an interview for a job as an Office Manager in Richmond Hill.  I went to the interview and, despite my profuse nervous sweating, I got the job and started the next day, Friday.   It’s a 9-5 temp job (with the *fingers crossed* possibility of extension – depending on what the boss says when he gets back from vacation,) which would allow for free evenings to go out and practice the work I so desperately want to do.

Ugh.  I’m a great big ball of stress right now, folks.  But this is the life of an artist, so I’m told.