Given the recent surge in Facebook invites, either I’ve become increasingly more popular (not likely) or it’s the Toronto Fringe, and all the performers I know in this city seem to have a show this year. And believe me, I would love nothing more but to enjoy your talents on a weekday afternoon, the time you so desperately need an audience, but I’ll be at work.
Anything in the early afternoon too, yup. Working.
In the evening? Probably just leaving work. If I’m lucky.
Shit, the project I’m working on these days has be so busy that when I DO finally get off my shift, it’s all I can do to not fall asleep on the streetcar, call the 501 my bed and ride it fully unconscious until the morning comes and I’m forced to exit and stumble into the freezer that is my current place of employ.
Not that I’m complaining about the fact that I am employed. I’m happy about that. In fact, I’m dependent on it.
You’re all such a tremendously talented bunch of amazing folk.
But what I am saying, is that I really REALLY will try to see your shows, but if I can’t, I’m sorry. And I wish you the best of broken legs throughout such a wonderful festival.
On a day like today, the first day this month that I’ve had to work full time hours on the weekend (just Sunday this week, in the coming weeks it’ll be expected of me Saturdays and Sundays), more than ever I feel the need to promote the latest episode of Nick & my podcast; The Constant Struggle:
This episode was taped on Father’s Day, and we discussed the grind of getting your creative work done under not-so-ideal circumstances. I have a feeling the next episode is going to talk about more of that because this month I will have even less time to do the things I love, which is pretty crazy disheartening.
It’s getting more difficult to manage the balance of work and passion. Work seems to be weighing more heavily. Too bad I’m not a millionaire, y’know? Anyway…
In this episode, we give shout-outs to:
- Drop & Give me 20 stand-up show (Marc Hallworth)
- Robert Ariss Hills (improviser, graphic designer)
- Dan Dingwall (a dude)
- Susannah Kiernan (triple threat)
- Ken Hall (improv guru)
- Alexis Bernstein (networking queen & creative expert)
- The bird clock
- Porter Airlines
Books & Movies
- Save the Cat (Blake Snyder)
- Whiplash (2014)
- Inside Out (2015)
- The Moment (Brian Koppelman)
- WTF (Marc Maron)
- The Crimson Wave (Jess Beaulieu & Natalie Norman)
Our newest episode of The Constant Struggle podcast is up, and for the first time, we’ve decided to feature a guest on the show. We invited Susannah Kiernan, member of the hilarious duo “L’il Rasgals” to come on by and talk to us a bit about the various challenges she’s had to face in the noble pursuit of her art.
You can also find the episode on iTunes by searching “The Constant Struggle”
Give it a listen. It’s a great episode & Susannah is a wonderful guest. While you’re at it, follow her on Twitter at @SusannahKiernan and follow us at @StrugglePod.
Earlier this week I tried something I hate.
A character monologue.
I’m always fascinated by some comedians I know who seem to come up with this plethora of weird and wonderful characters, for which they’ve created this fun universe and they bring them up on stage and speak to the audience in that character for upwards of ten minutes, and people love it. They tell jokes in character. They have funny accents. They dress up.
I just hate it so much.
Not when other people do it. I just hate doing it, myself. It if were to serve a sketch, in which there were several people, no problem. I’ll play a weird and wacky character. But on my own, just speaking directly to the audience? No thank you. Well, that is, outside of comedy school and this past Tuesday’s “Bombaes.”
I wrote and performed a character monologue inspired by something Kate Mulgrew said while promoting her book last month (was it last month?) at the Toronto Reference Library. It seemed to get very little response while I was speaking it, which is bizarre. As a stand-up comic, you’re used to getting a laugh at certain points in your set. But either it wasn’t funny, or it was just not good, I felt like I got nothing back from the audience, apart from polite applause when I was finished my bit.
Stand-up, fine. You’re telling jokes, and the audience responds in such a way as to let you know whether or not your jokes are hitting or missing. Improv, GREAT! No problem making people laugh there. But this? GAH. This is PAINFUL.
PAINFUL! AND DIFFICULT! AND SCARY!
That being said. If anyone has a solo-sketch/monologue night in Toronto, I’m totally ready for you to meet this gal. She’s a real something else.
First stand-up set in a while tonight at Yuk Yuk’s. I’ll say I need practice. I will say that. I will also say that people were NOT on board with my joke about how hard it must have been for conservative dudes to admit they felt a budge upon first glance of Caitlyn Jenner. Perhaps it was the delivery. Perhaps it was a room full of conservatives. Either way, I thought it was hilarious.
It’s insane how quickly 5 minutes goes by. When I was writing out my set, I prepared so much more than what I actually had time to perform. I need to practice more. I need more hours in a day because I love improv too much to give it the back seat.I need Hermione’s Time-Turner so I can do equal parts of both.Time Turner… too geek?Nah. No way.
How do you stay focused on doing what you love, when you need to exert so much time and energy on doing what must be done in order to pay to do that very thing you love? By that time, there’s little to no energy or focus left.
What a vicious cycle.
If you’ve browsed elsewhere on this website apart from the front page, (or the article about the WWI brothel, which continues to get more hits than any other post,) you’ll know that my brother Nick and I have been working on a podcast over the past few weeks that deals with the ongoing struggles creative types face on their journey to accomplish their artistic goals.
This month’s episode is no exception as we delve further into overcoming rejection, navigating networking events and just getting it done!
Check it out:
If you like it, and you’re interested in sharing your creative struggles with us on an upcoming episode, feel free to write to us at firstname.lastname@example.org.
*** *Note: the books we referred to during this episode are:
Save the Cat!: The Last Book on Screenwriting You’ll Ever Need, by Blake Snyder
Elephant Bucks: An insider’s Guide to Writing TV Sitcoms, by Sheldon Bull
The Nerdist Way: How to Reach the Next Level (In Real Life), by Chris Hardwick