I’m on my second weekend of working straight through the week, sans days off, 12-hour days going home at 1am, my tonsils have doubled in size this past weekend, it’s office-freezer in here all the time (I’m currently wrapped in my “office blanket,” but what’s REALLY bugging me is that I can’t go out and perform my comedy! Hmph!
I suppose I should be looking at this whole event, this whole big thing I’m currently involved in as research; for a future pitch, or show, or something. But I’m just so impatient, I just want to be out there every night working my craft. (ugh, I’m a person who says THAT now.)
Maybe this will force me to sit down and read more, or write more, or watch the stuff on TV (whene everyone’s gone home and I’m here “monitoring” stuff,) that’s supposed to be hilarious and write a few spec scripts and have something to submit to a whomever might want to hire me to write for them one day, in the mythical world where TV shows find their writers on geeky online blogs about their experiences in comedy.
Maybe, and more importantly, I should probably just shut up and enjoy the opportunity this has provided me. Maybe learn some new stuff about an incredibly cool industry. Really throw myself into this project. Get to know the people I’m working with, who so far have been great, friendly, unique interesting and lovely.
Episode 6 of my brother and my podcast, The Constant Struggle, is up & we’d love it if you’d giver a listen.
This time around, Nick’s got a new writing deadline he wants to get to before he takes off to Scotland with his family. Will the trip inspire him to write something while he’s over there? We’ll see!
Will Brie survive her month of insane-work hours and continue to work on her comedy all throughout, or will she have a complete mental breakdown along the way?
Find out, by downloading the episode on iTunes or checking it out right here:
Oh, and if you want to sign that petition to help get Kevin Smith Canadian citizenship, click here:
Struggle On, friends!
Given the recent surge in Facebook invites, either I’ve become increasingly more popular (not likely) or it’s the Toronto Fringe, and all the performers I know in this city seem to have a show this year. And believe me, I would love nothing more but to enjoy your talents on a weekday afternoon, the time you so desperately need an audience, but I’ll be at work.
Anything in the early afternoon too, yup. Working.
In the evening? Probably just leaving work. If I’m lucky.
Shit, the project I’m working on these days has be so busy that when I DO finally get off my shift, it’s all I can do to not fall asleep on the streetcar, call the 501 my bed and ride it fully unconscious until the morning comes and I’m forced to exit and stumble into the freezer that is my current place of employ.
Not that I’m complaining about the fact that I am employed. I’m happy about that. In fact, I’m dependent on it.
You’re all such a tremendously talented bunch of amazing folk.
But what I am saying, is that I really REALLY will try to see your shows, but if I can’t, I’m sorry. And I wish you the best of broken legs throughout such a wonderful festival.
On a day like today, the first day this month that I’ve had to work full time hours on the weekend (just Sunday this week, in the coming weeks it’ll be expected of me Saturdays and Sundays), more than ever I feel the need to promote the latest episode of Nick & my podcast; The Constant Struggle:
This episode was taped on Father’s Day, and we discussed the grind of getting your creative work done under not-so-ideal circumstances. I have a feeling the next episode is going to talk about more of that because this month I will have even less time to do the things I love, which is pretty crazy disheartening.
It’s getting more difficult to manage the balance of work and passion. Work seems to be weighing more heavily. Too bad I’m not a millionaire, y’know? Anyway…
In this episode, we give shout-outs to:
- Drop & Give me 20 stand-up show (Marc Hallworth)
- Robert Ariss Hills (improviser, graphic designer)
- Dan Dingwall (a dude)
- Susannah Kiernan (triple threat)
- Ken Hall (improv guru)
- Alexis Bernstein (networking queen & creative expert)
- The bird clock
- Porter Airlines
Books & Movies
- Save the Cat (Blake Snyder)
- Whiplash (2014)
- Inside Out (2015)
- The Moment (Brian Koppelman)
- WTF (Marc Maron)
- The Crimson Wave (Jess Beaulieu & Natalie Norman)
Our newest episode of The Constant Struggle podcast is up, and for the first time, we’ve decided to feature a guest on the show. We invited Susannah Kiernan, member of the hilarious duo “L’il Rasgals” to come on by and talk to us a bit about the various challenges she’s had to face in the noble pursuit of her art.
You can also find the episode on iTunes by searching “The Constant Struggle”
Earlier this week I tried something I hate.
A character monologue.
I’m always fascinated by some comedians I know who seem to come up with this plethora of weird and wonderful characters, for which they’ve created this fun universe and they bring them up on stage and speak to the audience in that character for upwards of ten minutes, and people love it. They tell jokes in character. They have funny accents. They dress up.
I just hate it so much.
Not when other people do it. I just hate doing it, myself. It if were to serve a sketch, in which there were several people, no problem. I’ll play a weird and wacky character. But on my own, just speaking directly to the audience? No thank you. Well, that is, outside of comedy school and this past Tuesday’s “Bombaes.”
I wrote and performed a character monologue inspired by something Kate Mulgrew said while promoting her book last month (was it last month?) at the Toronto Reference Library. It seemed to get very little response while I was speaking it, which is bizarre. As a stand-up comic, you’re used to getting a laugh at certain points in your set. But either it wasn’t funny, or it was just not good, I felt like I got nothing back from the audience, apart from polite applause when I was finished my bit.
Stand-up, fine. You’re telling jokes, and the audience responds in such a way as to let you know whether or not your jokes are hitting or missing. Improv, GREAT! No problem making people laugh there. But this? GAH. This is PAINFUL.
PAINFUL! AND DIFFICULT! AND SCARY!
That being said. If anyone has a solo-sketch/monologue night in Toronto, I’m totally ready for you to meet this gal. She’s a real something else.